This drawing represents a developed preparatory study for a poster project, showcasing Fernand Léger’s characteristic approach to composition. The work features double profiles of faces alongside geometric elements and a small house, demonstrating the artist’s ability to blend figurative and architectural motifs with bold blocks of color. The presence of a second, earlier study reveals the fascinating evolution of Léger’s creative process. That first drawing presents a simpler arrangement, focusing primarily on blocks of color and a flag motif. The progression from this initial color study to our more elaborate composition demonstrates how Léger refined his concept, layering figurative elements with his characteristic geometric forms to create a richer visual statement.

Fernand Léger stands as one of the major figures of twentieth-century modern art. Born in Argentan, Normandy, he moved to Paris in 1900 where he developed his distinctive artistic vision. Initially influenced by Impressionism and Fauvism, Léger became associated with Cubism around 1910, though he quickly forged his own path within the movement. His style evolved into what he called “Tubism,” characterized by cylindrical forms and bold colors that reflected his fascination with the modern industrial world.

Léger’s work celebrated the machine age and urban life, finding beauty in mechanical forms and the dynamism of contemporary society. Throughout his career, he worked across multiple media including painting, drawing, ceramics, tapestry, stage design, and murals. After spending the war years in the United States, where he taught at Yale University, he returned to France in 1945 and continued working prolifically until his death. His later works often featured construction workers, cyclists, and leisure activities, reflecting his commitment to creating an art accessible to all social classes. Léger’s legacy remains influential in both fine art and graphic design, where his bold compositions and vibrant color sense continue to resonate.

This drawing includes two certificates of authenticity: one from the Comité Léger dated November 12, 2025, and the other from Mrs. Irus Hansma dated June 25, 2022.